The workflow
Sketch in the park.
Chop a sample, tap in a pattern, patch a couple of effects. Save.
The whole session, one file.
Samples, mapping, routing, sequences — all of it travels as a single project. No bounce, no rebuild.
Finish at the desk.
Open it in KITE on desktop. Everything's exactly where you left it.
Most samplers make you choose — a plugin trapped in your DAW, or a tablet app trapped on one device. So the couch sketch becomes an export, a re-import, a rebuild at the desk. KITE skips all of that. The session opens wherever KITE opens, and KITE opens everywhere you work.
The project isn't a bounce or a preset pack — it's the whole session. Opening it on another device is picking up exactly where you left off.
Every audio file you've dropped into the session, embedded in the project file.
Keyboard zones, per-sample pitch and stretch, all 128 MIDI assignments.
Output channels, patch cables, FX chains — the full modular scene graph.
Every active sampler engine and its state, so multi-engine sessions re-open intact.
Patterns, section assignments, and the arrangement that ties them together.
Pad layout, mute groups, envelopes, and anything else you can tweak live.
And how it moves. Like any other file — AirDrop it, drop it in Dropbox, carry it on a stick. No proprietary cloud, no login. If you can move a wav, you can move a .kite.
Loads as a VST3, CLAP, or AUv3 (macOS) plugin. Drop it on a track and your tablet session opens right inside the DAW.
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